Culture and Lifestyle

Kyz Ala Kachuu is an obvious and unapologetic form of protest by Mirlan Abdykaylkov against the archaic and violating nature of the bride kidnapping traditions in Kyrgyzstan, writes Silvan Lochteken in this commentary for commonspace.eu. Its success at the Busan International Film Festival not only brings the international spotlight on the controversial practice, but reignites the contested debate on bride kidnapping that has polarized the Kyrgyz public for decades.

Football, it is often said, can unite nations in love with the game. But in Iran, it appears they see things differently. Saudi Arabia and Iran were at loggerheads for years, but in March, with much fanfare, the Chinese announced they had brokered a deal between the two countries. Diplomatic relations were restored. And from last month, football matches could start being played on their home grounds, instead of in third party venues. But for Iran, political scoring is all important. A furious row erupted on Monday after an Iranian football club tried to use a match against Saudi opponents for political propaganda. The AFC Champions League match at the Naghsh-e-Jahan Stadium in Isfahan between Sepahan and Jeddah team Al-Ittihad was called off when the Iranian club refused to remove political banners and busts of the late Revolutionary Guard warlord Qassem Soleimani from the edge of the pitch. Soleimani ran the overseas arm of Iran’s powerful Islamic Revolutionary Guard Corps and was a blunt critic of the Saudi government and the kingdom’s ruling Al Saud family. He was killed in a US drone strike in Baghdad in 2020. The Iranians refused to remove the bust. After requesting a delay of half an hour to assess the situation, the Saudi team and staff left the stadium to head to the airport and back to Saudi Arabia.

The role of women in various aspects of Saudi society has been changing dramatically in recent years. One area where great strides has been made is the arts and culture scene, including in various Saudi regions. The women’s art movement in Baha is elevating the Saudi art scene by showcasing regional and national heritage. Visual artist Samia Al-Othman told the Saudi Press Agency that the women’s art movement in Baha has witnessed significant development in recent years. Al-Othman has taken part in local and international exhibitions and forums, and undergone training courses in different art schools, utilizing a range of techniques since 2012. Nada Al-Jabiri said that she discovered her talent at an early age, adding that aspirations for the future can be seen in her drawings, which aligns with empowering women and using their artistic ideas. Women artists in Baha have been influenced by local and global experiences, which is reflected in many of their works. (SPA) She added that visual art is sending a great message by highlighting national identity and introducing Saudi cultural, historic, social and artistic heritage to the world.