Let's watch a film!

In an attempt to keep people occupied at home, many film studios have opted to make both old and new films available online. William Murray provides a selection of free and legal international film databases this short article for Commonspace.eu. 

This year promises to be difficult for all sectors, but as people are being told to stay inside, the cinema and theatre industries are likely to be hit especially hard.  While some films, such as the upcoming James Bond, have opted to postpone release until later in the year [1]; other studios, such as Universal, have decided to fast-track many of their current and upcoming films to on-demand streaming services [2]. Alongside Hollywood releases, many smaller indie and international film houses have made their databases available to the public during this difficult time. Whilst it isn’t sensible to spend too much time front of the television, this period of obligatory isolation does provide a great opportunity to seek-out films from other countries and cultures that you may not usually experience.

 Please find below a selection of studios and institutes from around the world that have decided to publish their work online for free to help us through this difficult period:

        In Georgia, Parachute Films have put together a free online database of Georgian films. This is being updated every day at the request of various filmmakers. These range from very short films such as Guram Geguchadze’s 90-second-long ‘DeAD’; to feature-length movies, like Giga Liklikadze’s ‘Pig’.

        In Latvia, The National film Centre has made 44 Latvian films, usually available in school libraries, free to the public through their Filmas database.

        The Beirut-based Aflamunu, an initiative launched by Arab filmmakers and film institutions, has made a selection of award-winning Arab films available for free on their website.

        Every 3 days, Abbout Productions are sharing one of their films for free on their facebook page. Abbout describes its productions as ‘feature films and documentaries with a distinctly Arab voice, expressing the identity of the region’.

        The International Documentary Film Festival Amsterdam (IDFA) has created a database of over 800 international documentaries that can be watched online. Whilst 300 of these are free to watch, there are a further 500 projects available for a small fee, which goes directly towards the filmmaker, distributor, or other rights holder of each film.

        Films of Norway currently provides a 7-day free subscription to their database of Norwegian films and TV series 

These are just a few, and of course, there are many other services popping up each day to make staying at home more bearable for all of us. If you find other interesting international databases or services, please do share them with us on twitter @commonspace.eu

Featured references:

[1] BBC – ‘Release of James Bond film No Time To Die delayed amid coronavirus fears’: https://www.bbc.com/news/entertainment-arts-51744374 

[2] Vanity Fair ­– ‘Universal Is the First Studio to Make New Movies Available On-Demand During Cororonavirus Outbreak’: https://www.vanityfair.com/hollywood/2020/03/universal-streaming-coronavirus

source: William Murray for commonspace.eu

 

 

Related articles

Editor's choice
News
Borrell tells the European Parliament that the situation in Afghanistan was critical, but the EU will remain engaged

Borrell tells the European Parliament that the situation in Afghanistan was critical, but the EU will remain engaged

Borrell underlined that the European Union will make every effort to support the peace process and to remain a committed partner to the Afghan people. "Of course, we will have to take into account the evolving situation, but disengagement is not an option.  We are clear on that: there is no alternative to a negotiated political settlement, through inclusive peace talks.
Editor's choice
News
Palestinian film takes the world by storm

Palestinian film takes the world by storm

Kaouther Ben Hania’s The Voice of Hind Rajab made history at the Venice Film Festival, continuing the rise of Palestinian cinema on the world stage, writes William Mullally, Arts & Culture Editor of the UAE newspaper, The National. The Oscar-nominated Tunisian director's latest effort received a record-setting 24-minute standing ovation on Wednesday (3 September), before winning the Silver Lion Grand Jury Prize on Saturday (8 September). The film, which The National's review said “will break you”, reconstructs the death of five-year-old Palestinian Hind Rajab, who was killed in Gaza city last January alongside four cousins, her aunt and uncle, and two paramedics who attempted to rescue her after the family's car came under fire from Israeli forces. Hind was trapped for hours in the vehicle while on the phone with the Palestinian Red Cross. When paramedics finally reached her, both she and the rescuers were dead. Reports later concluded an Israeli tank had likely fired more than 300 bullets into the vehicle. Hind's voice recording from the call is used in the film. Shooting the project over three weeks in Tunisia last November with Palestinian performers, Ben Hania first went to Hind's mother to seek permission to use the voice recording rather than dramatise it, she tells The National. “Hind’s mother told me something about the voice of her daughter: 'It should be heard, and not be forgotten,'” she recalls. While critics have questioned the ethics of using the girl’s plight for dramatic purposes, with Variety accusing Ben Hania of “tear-jerker tactics”, the filmmaker makes no apologies for using Hind’s own voice, rather than that of an actress. “The voice of this little girl can make people uncomfortable. I can totally understand it, and that’s why I’m doing this movie. I’m not doing this movie to make people comfortable because Gazans are not having a comfortable life,” she says. The movie has garnered international attention to a level that few productions reach, with major Hollywood figures getting behind the project to amplify its message.   Both Joaquin Phoenix and Rooney Mara, who signed on to the film as producers after the fact to help boost its reach, along with several other major names, walked the red carpet with the filmmaking team, holding up a photo of Hind as cameras flashed. As Ben Hania said in her acceptance speech on Saturday: “We all believe in the force of cinema. It is what gathers us here tonight, and what gives us the courage to tell stories that might otherwise be buried.” The film is not the only Palestinian effort to garner international attention of late, as Israel's aggression in Gaza continues to turn the eyes of the world to Palestinian stories. this week, as 1,300 major names in the film community worldwide, including Mark Ruffalo, Olivia Colman and Josh O'Connor, are making permanent pledges to boycott working with Israeli film institutions that are “complicit in genocide”. Palestinian cinema has reached one major milestone after another, and as support grows, that streak should continue long into the future.

Popular

Editor's choice
News
Palestinian film takes the world by storm

Palestinian film takes the world by storm

Kaouther Ben Hania’s The Voice of Hind Rajab made history at the Venice Film Festival, continuing the rise of Palestinian cinema on the world stage, writes William Mullally, Arts & Culture Editor of the UAE newspaper, The National. The Oscar-nominated Tunisian director's latest effort received a record-setting 24-minute standing ovation on Wednesday (3 September), before winning the Silver Lion Grand Jury Prize on Saturday (8 September). The film, which The National's review said “will break you”, reconstructs the death of five-year-old Palestinian Hind Rajab, who was killed in Gaza city last January alongside four cousins, her aunt and uncle, and two paramedics who attempted to rescue her after the family's car came under fire from Israeli forces. Hind was trapped for hours in the vehicle while on the phone with the Palestinian Red Cross. When paramedics finally reached her, both she and the rescuers were dead. Reports later concluded an Israeli tank had likely fired more than 300 bullets into the vehicle. Hind's voice recording from the call is used in the film. Shooting the project over three weeks in Tunisia last November with Palestinian performers, Ben Hania first went to Hind's mother to seek permission to use the voice recording rather than dramatise it, she tells The National. “Hind’s mother told me something about the voice of her daughter: 'It should be heard, and not be forgotten,'” she recalls. While critics have questioned the ethics of using the girl’s plight for dramatic purposes, with Variety accusing Ben Hania of “tear-jerker tactics”, the filmmaker makes no apologies for using Hind’s own voice, rather than that of an actress. “The voice of this little girl can make people uncomfortable. I can totally understand it, and that’s why I’m doing this movie. I’m not doing this movie to make people comfortable because Gazans are not having a comfortable life,” she says. The movie has garnered international attention to a level that few productions reach, with major Hollywood figures getting behind the project to amplify its message.   Both Joaquin Phoenix and Rooney Mara, who signed on to the film as producers after the fact to help boost its reach, along with several other major names, walked the red carpet with the filmmaking team, holding up a photo of Hind as cameras flashed. As Ben Hania said in her acceptance speech on Saturday: “We all believe in the force of cinema. It is what gathers us here tonight, and what gives us the courage to tell stories that might otherwise be buried.” The film is not the only Palestinian effort to garner international attention of late, as Israel's aggression in Gaza continues to turn the eyes of the world to Palestinian stories. this week, as 1,300 major names in the film community worldwide, including Mark Ruffalo, Olivia Colman and Josh O'Connor, are making permanent pledges to boycott working with Israeli film institutions that are “complicit in genocide”. Palestinian cinema has reached one major milestone after another, and as support grows, that streak should continue long into the future.