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Palestinian film takes the world by storm: "The Voice of Hind Rajab" receives record 24 minute standing ovation at The Venice Film Festival

Palestinian film takes the world by storm: "The Voice of Hind Rajab" receives record 24 minute standing ovation at The Venice Film Festival

Kaouther Ben Hania’s The Voice of Hind Rajab made history at the Venice Film Festival, continuing the rise of Palestinian cinema on the world stage, writes William Mullally, Arts & Culture Editor of the UAE newspaper, The National. The Oscar-nominated Tunisian director's latest effort received a record-setting 24-minute standing ovation on Wednesday (3 September), before winning the Silver Lion Grand Jury Prize on Saturday (8 September). The film, which The National's review said “will break you”, reconstructs the death of five-year-old Palestinian Hind Rajab, who was killed in Gaza city last January alongside four cousins, her aunt and uncle, and two paramedics who attempted to rescue her after the family's car came under fire from Israeli forces. Hind was trapped for hours in the vehicle while on the phone with the Palestinian Red Cross. When paramedics finally reached her, both she and the rescuers were dead. Reports later concluded an Israeli tank had likely fired more than 300 bullets into the vehicle. Hind's voice recording from the call is used in the film. Shooting the project over three weeks in Tunisia last November with Palestinian performers, Ben Hania first went to Hind's mother to seek permission to use the voice recording rather than dramatise it, she tells The National. “Hind’s mother told me something about the voice of her daughter: 'It should be heard, and not be forgotten,'” she recalls. While critics have questioned the ethics of using the girl’s plight for dramatic purposes, with Variety accusing Ben Hania of “tear-jerker tactics”, the filmmaker makes no apologies for using Hind’s own voice, rather than that of an actress. “The voice of this little girl can make people uncomfortable. I can totally understand it, and that’s why I’m doing this movie. I’m not doing this movie to make people comfortable because Gazans are not having a comfortable life,” she says. The movie has garnered international attention to a level that few productions reach, with major Hollywood figures getting behind the project to amplify its message.   Both Joaquin Phoenix and Rooney Mara, who signed on to the film as producers after the fact to help boost its reach, along with several other major names, walked the red carpet with the filmmaking team, holding up a photo of Hind as cameras flashed. As Ben Hania said in her acceptance speech on Saturday: “We all believe in the force of cinema. It is what gathers us here tonight, and what gives us the courage to tell stories that might otherwise be buried.” The film is not the only Palestinian effort to garner international attention of late, as Israel's aggression in Gaza continues to turn the eyes of the world to Palestinian stories. this week, as 1,300 major names in the film community worldwide, including Mark Ruffalo, Olivia Colman and Josh O'Connor, are making permanent pledges to boycott working with Israeli film institutions that are “complicit in genocide”. Palestinian cinema has reached one major milestone after another, and as support grows, that streak should continue long into the future.

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Art-Gene Turns Nineteen: In Conversation with Tamar Melikishvili

Art-Gene Turns Nineteen: In Conversation with Tamar Melikishvili

July 2022 saw the 19th edition of what has become a staple event in the Georgian cultural calendar. Founded in 2003 by artists Tamar Melikishvili and Giorgi Baramidze, musicians Zaza Korinteli and Niaz Diasamidze, sculptor Nika Anjaparidze, and photographer Maria Lanevski, the Art-Gene music and crafts festival has played a huge role in reviving Georgia’s now thriving traditional cultural scene since its dog days of the early 2000s. Looking forward to Art-Gene’s 20th anniversary next year, commonspace.eu’s Deputy Editor Patrick Norén spoke to Tamar Melikishvili about Art-Gene’s origins, ethos, community, and future. Melikshvili told commonspace.eu that ‘if a country keeps and loves its own culture, it will become very open and interested in the culture of other countries. The world is nice because we are so different, but we also make one big picture, like a painter. When I am working on the canvas, all of these different moods and colours become one symphony, and that is what makes the picture interesting.’
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Slava Ukraina: Europeans embrace Ukraine, catapulting it to victory in the Eurovision Song Festival

Slava Ukraina: Europeans embrace Ukraine, catapulting it to victory in the Eurovision Song Festival

Kalush Orchestra have won the 2022 Eurovision Song Contest for Ukraine with their song 'Stefania', at the end of an emotional festival final held in Turin on Saturday (14 May). It was a memorable night for the iconic Eurovision Festival as Ukraine's Kalush Band swept to victory with the backing of a popular vote from across Europe. If European politicians are hesitant in embracing Ukraine as one of their own, the people of Europe have shown no hesitation in embracing Ukraine's music and culture, and the cause of the Ukrainian people as they fight against Russian aggression. Receiving the winning trophy, lead singer Oleh Psiuk declared: "Thank you for supporting Ukraine. This victory is for every Ukrainian. Slava Ukraina." Speaking backstage, the singer said he hoped Ukraine could stage the contest in 2023. Ukrainian President Volodymyr Zelensky congratulated Kalush Orchestra and said Ukraine's courage "impresses the world". In a post on Instagram, he vowed one day to host Eurovision in a "free, peaceful and rebuilt" Mariupol, the port city that has been completely destroyed by the Russian invaders and is now mostly under Russian occupation.